Vespers 1610, An Early Music Blog

Lots of early music recordings came my way in 2009. Here are my favorites for the year.

CD of the year

More Divine Than Human, Music from the Eton Choirbook
The Choir of Christ Church, Oxford
Stephen Darlington, director
(Avie Records)
This is how the Eton Choirbook was intended to be heard.

J. S.Bach: Orchestral Suites for a Young Prince
Ensemble Sonnerie
Monica Huggett, violin and director
(Avie Records)
Refreshing new takes on old favorites.

J. S. Bach: Preludi ai corali
Quartetto Italiano di Viole da Gamba; Tölzer Knabenchor
(Winter & Winter GmbH)
Gorgeous strings blending with treble choir.

G.F. Handel: Clori, Tirsi e Fileno
Roberta Invernizzi, Yetzabel Arias Fernández, sopranos; Romina Basso, alto
La Risonanza
Fabio Bonizzoni, director
(Glossa Music)
The newest release in the brilliantly performed complete Handel cantata series.

Nicola Popora: Arias
Karina Gauvin, soprano
Il Complesso Barocco
Alan Curtis, director
(ATMA Classique)
Perhaps this is the recording that finally puts Gauvin at the top of the soprano heap.

Salomone Rossi: The Song of Solomon and Instrumental Music
Profeti Della Quinta
Ensemble Muscadin
(Pan Classics)
It’s about time an ensemble finally made a truly excellent recording of Rossi’s sacred music.

Alessandro Scarlatti: Messa per il santissimo natale
Giovanni Battista Pergolesi: Messa di s. emidio
Concerto Italiano
Rinaldo Alessandrini, director
(Naïve)
Two major additions to the repertoire and nobody performs this music better than Alessandrini and crew.

Song of Songs
Stile Antico
(Harmonia Mundi)
All the buzz about Stile Antico is true—reminds of the records the Tallis Scholars used to make before all of their recordings started to sound the same.

Georg Philipp Telemann: Telemann and the Baroque Gypsies
Ensemble Caprice
Matthias Maute, recorder and director
(Analekta)
Sensational performances by Maute and company in a lively program.

200 Years of Music at Versailles
Various artists
(Centre Musical de Baroque de Versailles)
A miraculous collection. Would have liked some music by the great clavecinists, but easily the greatest survey of the French Baroque available.

This entry was posted on December 30, 2009 at 5:43 and is filed under Reviews with tags 200 Years of Music at Versailles, Alan Curtis, Analekta, ATMA Classique, Avie Records, Centre Musical de Baroque de Versailles, Concerto Italiano, Ensemble Caprice, Ensemble Muscadin, Ensemble Sonnerie, Fabio Bonizzoni, Glossa Music, Harmonia Mundi, Il Complesso Barocco, Karina Gauvin, La Risonanza, Matthias Maute, Monica Huggett, More Divine Than Human, Naive, Pan Classics, Profeti della Quinta, Quartetto Italiano di Viole da Gamba, Rinaldo Alessandrini, Roberta Invernizzi, Song of Songs, Stephen Darlington, Stile Antico, Tallis Scholars, Tölzer Knabenchor, Telemann and the Baroque Gypsies, The Choir of Christ Church Oxford, Winter & Winter GmbH, Yetzabel Arias Fernández. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.