Yale in New York: Stylus Fantasticus
I’ve been greatly impressed by the Yale Baroque Ensemble, an outstanding group of young performers in an intensive one-year postgraduate program for string players dedicated to the study and performance of baroque music. The omnipresent (he’s just back from a touring Boston Early Music Festival production, and is performing as concertmaster in New York’s Trinity Baroque Orchestra and Choir’s complete Bach Cantata series) baroque violinist Robert Mealy is the man heading the program and Mealy and company are coming to Zankel Hall on April 25th as part of the eclectic Yale In New York series when they present a program called Stylus Fantasticus.
The program is super juicy:
Dario Castello (fl. early 17c): Sonata decimaquarta (two violins, two cellos, harpsichord from Sonate Concertate in Stil Moderno, Libro II, Venice 1629)
Giovanni Paolo Cima (c. 1570–1622): Sonata a tre (two violins, cello, harpsichord from Concerti Ecclesiastici, Milan, 1610)
Castello: Sonata quarta (two violins, harpsichord)
Giovanni Battista Fontana: (c. 1589–1630): Sonata seconda (violin, harpsichord from Sonate… per il violino, Venice 1641)
Michelangelo Rossi (1602–1656): Toccata settima (harpsichord)
Castello: Sonata decima two violins, cello, harpsichord
Tarquinio Merula (1594–1665): Ballo detto Eccardo & Ciaconna (violins, cello, harpsichord from Canzoni ovvero Sonate Concertate, Libro III, Venice 1637)
Johann Rosenmüller (1619–1684): Sonata quarta (two violins, cello, harpsichord
from Sonate a 2, 3, 4, 5 stromenti d’arco, Nuremburg 1682)
Intermission
Heinrich Ignaz Franz von Biber (1644–1704): Battalia (full ensemble)
Johann Heinrich Schmelzer: (1620–1680): Sonata a tre violini (three violins, continuo)
Johann Jakob Froberger (1616–1667): Toccata (harpsichord)
Schmelzer: Sonata quarta (violin, harpsichord from Sonate unarum fidium, Vienna 1664)
Henry Purcell (1659¬–1695): Three Parts upon a Ground (full ensemble)
Arcangelo Corelli (1653–1713): Concerto Grosso in D major, Op. 6, No. 4 (full ensemble)
Tickets are available at the Carnegie Hall website and at the box office.
This entry was posted on April 18, 2011 at 5:43 and is filed under News with tags 17th Century Violin, Bach at One, Robert Mealy, Stylus Fantasticus, Yale Baroque Ensemble. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
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